For once, I don’t need to lard this volume back-story/personal history (and I’m working on minimizing that part, too; it’s about the music, kid). I picked up Vancouver B.C.’s Japandroids album Celebration Rock because I caught their name in The Portland Mercury, thought it was neat and/or clever, etc. I listened to that album a few times and liked it well enough, but nothing about it really lit my fire, so I tucked it away and forgot about it until something made me go back to it. This project, actually. (And, in case you’re wondering, yeah, this about half the motivation – i.e., spelunking around my own music collection for lightly-neglected, sometimes forgotten, nooks and crannies.)
Only one song stuck from those first several listens: “Adrenaline Nightshift.” By that I mean, unlike the rest, I immediately recognized it when I listened to Celebration Rock over the past week. Even so, it’s hard to imagine “Adrenaline Nightshift” as some guy’s all-time favorite song, or as the doorway to some complicated girl’s soul. It’s a rock song, and a decent one, but there’s nothing special to the sound or deep or poignant in the lyrics. It rocks and…that’s it, it just rocks.
After reading about the band – fidelity to a DIY ethic, their struggles to get signed and related near break-ups, touring like goddamn maniacs, a “health emergency”* - it’s almost impossible not to pull for them (*and, yes, that last one makes really makes me feel like an asshole). For all that, I can’t bring myself to sell them as a band anyone needs to hear; they’re nothing revelatory musically; Japandroids sound like their influences (more later), but with enough twist that anyone who knows them can pick out a song as theirs – probably by the vocals (not their long suit, really). And maybe that has to do with their long struggle to make a paying gig out of music (but, again, how many bands I like except the biggest ones do that for long?).
Something about Japandroids - and this only comes through their music, not deep research - makes me think they’d take all the above in stride. Having listened to nearly everything they’ve put out (just four full albums, plus some random shit I just found; and....best song I've heard from them...damn), they come across as guys doing this shit fer kicks. Their lyrics, at least so far as I’ve teased them out, revel in everything about youth – the bingo-ball-bin way people come together, living in the moment like nothing else matters, and, when it’s all over, remembering those times with (giddy, drunken) reverence (see, “Younger Us”). Japandroids don’t only talk about “drinking and smoking” (see, “The Nights of Wine and Roses”), but those come up as subjects a lot, even if not so blatantly. Broadly, Japandroids approach to music leans heavily into wall-of-sound guitar – some shimmer, mostly drone – lots of anthem/chorus hooks and all of it more or less up-tempo. Their Wikipedia page (link above; see “reading about the band”) lists their influences as “one part classic rock, and one part punk.” Mmm, I’m less sold on that. As much as anything, they sound like alt-rock from around the time the 80s bent into the 90s. Or they did at least.